There are a lot of
reviews and comments about Loie Fuller’s dances.
Her experiments in stage
lighting which her influenced deeper than in choreography, included the use of
lights, phosphorescent materials and silhouette techniques. After Fuller, there
were a lot of dancers using light in their dances such as Twyla Thrap, Alwin
Nikolais and Bill Jones.
One observer wrote, “One feels subtly
transported into the strangest regions of the dream . . . in these astonishing
apparitions, something satanic and demonic, but of a gentle Satanism, of a
poetic and suggestive demonality , which sets one on the starry and luminous
path of hashishian dreams . . .
(F. de Ménil, Histoire de la Danse à travers
les Âges, Paris, 1904, pp. 340-341).
This comment mainly
talks about Fuller’s dances which combined lights and movements together to create
“a dream” for all the audiences.
According to Garelick,
Fuller “managed to create . . . art with an uncanny power to illuminate not the
disjunctions between genres, but the fluid connections between them” (200).
(Electric Salome: Loie Fuller’s Performance of Modernism. By
Rhonda Garelick. Princeton: Princeton University Press, 2007. 246 pp. )
Fuller’s dances create
connections between different genres. I think these connections are between the
modern dances and ballets, the dramas and lights.
http://press.princeton.edu/titles/8519.html
http://press.princeton.edu/titles/8519.html
However, in 1892, when
Fuller stripped the stage bare and draped it with black chenille curtains,
using only tinted lights and fabric as her scenic decor, she realized the most
advanced theories of the two major scenographers of the twentieth century,
Adolphe Appia and Gordon Craig years before they put them into practice.
(Sommer,
Sally. “The Soul of Art Nouveau”. The Women's Review of Books 15.2
(1997): 18–19. Web)
The writer emphasizes Loie Fuller's contributions to the Theatre. Loie Fuller is the first person who used scenographer on stage. Scenographer is a high technic which is used by theatre a lot, now.


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